Saddleworth Film Society

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Dec 11, 2017

Next film

The Salesman

Jan 15, 2018

Next film

Hidden Figures

Feb 19, 2018


December 11, 2017

Five year old Saroo gets lost on a train which takes him thousands of miles across India, away from home and family. Saroo must learn to survive alone in Kolkata, before ultimately being adopted by an Australian couple. Twenty-five years later, armed with only a handful of memories, his unwavering determination, and a revolutionary technology known as Google Earth, he sets out to find his lost family and finally return to his first home.

The Salesman

January 15, 2018

After their flat becomes damaged, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), a young couple living in Tehran, Iran, must move into another apartment. Once relocated, a sudden eruption of violence linked to the previous tenant of their new home dramatically changes their lives, creating a simmering tension between husband and wife.

Hidden Figures

February 19, 2018

Three brilliant African-American women at NASA – Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) – serve as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn (Glen Powell) into orbit, a stunning achievement that restored the nation's confidence, turned around the Space Race and galvanized the world.


March 19, 2018

Based on Philippe Djian’s acclaimed novel Oh…, Verhoeven’s first French-language film covers themes of brutality, malice, and humiliation. Elle will prove provocative and divisive. Isabelle Huppert stars as Michèle, the head of a successful videogame company, who is being beaten and raped in her home by a masked assailant. After he leaves, Michèle cleans up, arranges to have the locks changed, and goes about her business. She doesn’t call the police. Days pass. She finds herself fantasising about the assault, aroused by the possibility of her attacker’s return — and the thought of exacting bloody revenge. Huppert is sensational, and the film certainly provides much to discuss and debate.

Land of Mine

April 16, 2018

As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. Inspired by real events, land of mine exposes the untold story of one tragic moment in post-war history.

The Other Side of Hope

May 14, 2018

Worthy winner of the 2017 Berlin Silver Bear for Best Director, it is a beautiful, timely film from one of the world's leading auteurs. Khaled (Sherwan Haji) arrives at the port of Helsinki concealed in a coal container, fleeing war-torn Syria to seek asylum in Finland. Dazed and frustrated by the monolithic administration he encounters at the detention centre, he makes a break for it and heads out onto the streets. There he meets Wikström (Sakari Kuosmanen), a former shirt salesman who has recently left his alcoholic wife for a new life as a bachelor restaurateur. Together, they help each other to navigate the adversities they face in these unfamiliar and often baffling new worlds.

Lady Macbeth

June 11, 2018

Acclaimed theatre director William Oldroyd relocates Nikolai Leskov’s Lady Macbeth of Mtsensk to 19th-century North Eastern England, in this Gothic tale about a young woman (Florence Pugh) trapped in a marriage of convenience whose passionate affair unleashes a maelstrom of murder and mayhem on a country estate. With formal overtones of Dreyer’s Ordet, this incredibly primal work plays out like an early century film noir with increased racial and class overtones. Pugh is fantastic in the central role, a little ball of evil bending the universe and its subjects to her own decree. Oldroyd beautifully balances the dichotomy between the wilds of nature and the chilly symbolism of the patriarchal manor, conjuring a gothic tale of repeated betrayal that is as enthralling as it is disturbing.